From: Morgan Karlsson
Subject: SAS CD 2
Vad var det för deadline på SAS skivan nr 2?
mvh,
Morgan Karlsson
THE SYNTHESIZER NETWORK
www.analogue.org/network
------------------------------
Date: Thu, 23 Jul 1998 14:21:28 +0200
From: Patrik Eriksson
Subject: Re: Trummaskiner
At 04:12 1998-07-23 PDT, you wrote:
>Hepp!
>
>Började så smått fundera på att bygga en trummaskin.
>Nu är frågan: finns det några
>BILLIGA (200-300:-), värdelösa, digitala 80-tals-burkar som man kan göra
>detta med?
TR505 går utmärkt. Flippa upp locket på den, på kretskortet lite uppe till
höger ser man de olika kanalerna på rad, nån trissa och lite annat skräp
per kanal. Har inget schema, men man kan ju köra maskinen och mäta sig
fram. Jag o en kamrat lyckades med viss framgång trigga en
606-bastrummeklon från hans sunkiga 505 på detta vis.
(Jag är numera oxå på jakt efter just en 505 för nån hundring eller två
just för att göra mig en egen analog trummaskin. Stomper i all ära, men
inget går upp emot hårdvara! :)
Jag har en RX15 oxå, men efter att ha flippat upp den fann jag att det inte
går att ta ut de analoga ljuden separat, allt händer i den d*gitala domänen
och blir inte nåt vettigt förrän efter DA:n. Den går alltså bort. En RX11
borde gå bättre...
Rädda världens alla 505:or till ett bättre liv som triggsequensers! :)
mvh
Polarn Patrik Eriksson
SAS div. 1 Norra
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
|T. PATRIK ERIKSSON | Get connected: |Shoe size:46 |
|-Proud MOOG user- | Phone: +46 90 198522 |Car: Saab 900 |
|Historiegrand 12A:111| +46 70 3115109 |Drink: Dry Martini |
|S-907 34 UMEA | Email: me95pen.ing.umu.se |_ _ _ _ _ _ _ _ _ _|
|SVITJOD (SWEDEN) | URL: http://www.encounter.nu/~patrik/ |
|_ _ _ _ _ _ _ _ _ _ _|_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _|
------------------------------
Date: Thu, 23 Jul 1998 14:21:42 +0200
From: Johan Billing
Subject: SAS, FKK, SPK osv osv
Hallå hallå!
I Malmö skiner solen och allt är frid och fröjd...
Det har cirkulerat en del rykten (startade av mig själv faktiskt! :-) om
att jag ska sluta i S.P.O.C.K och visst, det är sant... Alltså är det
inget rykte i och med att jag skriver detta...
Anledningarna är många, men först och främst tar jobbet mer och mer tid,
samtidigt som jag känner att mitt musikaliska hjärta nog ligger närmre
och närmre FKK och längre och längre bort från Spock. Trist men sant.
Så, därför tar man nya friska tag, har redan gjort ett gäng Depeche
covers till Göteborg, men tänkte anordna en liten tävling - önska covers
till vår spelning på Kåren! (Själv röstar jag för "Monument" eftersom
jag redan gjort den :-)
Ha en bra dag!
Johan B
------------------------------
Date: Thu, 23 Jul 1998 14:44:36 +0200
From: "Patrick Fridh"
Subject: Re: SAS CD 2
får man vara med?
mvhpatrickf...
>>> Morgan Karlsson
Vad var det för deadline på SAS skivan nr 2?
mvh,
Morgan Karlsson
THE SYNTHESIZER NETWORK
www.analogue.org/network
------------------------------
Date: Thu, 23 Jul 1998 14:46:50 +0200
From: "Patrick Fridh"
Subject: TR-505
h e l t a p r o p å
Vince Clarke tyckte
i en intervju en gång
att det inte fanns ngn
trummaskin som hade
så ball baskagge som
just den gamla 505:an.
Det var tider det... :)
P.
www.surf.to/synthesite
------------------------------
Date: Thu, 23 Jul 1998 05:48:58 PDT
From: "Erik Forsling"
Subject: Re: Trummaskiner
>
>Kolla in Boss DR-220 A / E eller Roland TR-505 / 707. Den
>roligaste heldigitala annars är väl 727:an med sitt latino.
>
Hmm. Finns det TR-burkar som är billiga verkligen?
Boss DR-220 känner jag igen tror jag. Jag tror det var en sån jag lånade
av en kompis lång innan jag hade börjat intressera mig för syntar. Satt
och gjorde patterns i flera dar (slagverkare som man är).
>Fattade inte riktigt hur du tänkte göra. Processa de digitala
>ljuden eller bara använda sequencerdelen?
>
Tänkte använda sequenserdelen och trigga några kommande
hembyggen....eller för all del vilken analog sak som helst - ljud som
ljud.
>Själv köpte jag nyss en schweinbillig TR-626:a. Den är kul
>att ha som sequencer till en synt. Märklig atonal musik kan
>man komponera. Organiskt, inte alls så "digitalt" som man
>skulle kunna tänka sig. Snarare mysko.
>
Varför finns inte "gamla gubbar i skogen" centralt i Göteborg?!! :-/
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Thu, 23 Jul 1998 14:57:25 +0200
From: Anders Wilhelm
Subject: Re: SAS, FKK, SPK osv osv
Sun and the Rainfall,
A photograph of you,
SHOUT!!!!
/aw
Johan Billing wrote:
>
> Hallå hallå!
>
> I Malmö skiner solen och allt är frid och fröjd...
>
> Det har cirkulerat en del rykten (startade av mig själv faktiskt! :-) om
> att jag ska sluta i S.P.O.C.K och visst, det är sant... Alltså är det
> inget rykte i och med att jag skriver detta...
>
> Anledningarna är många, men först och främst tar jobbet mer och mer tid,
> samtidigt som jag känner att mitt musikaliska hjärta nog ligger närmre
> och närmre FKK och längre och längre bort från Spock. Trist men sant.
>
> Så, därför tar man nya friska tag, har redan gjort ett gäng Depeche
> covers till Göteborg, men tänkte anordna en liten tävling - önska covers
> till vår spelning på Kåren! (Själv röstar jag för "Monument" eftersom
> jag redan gjort den :-)
>
> Ha en bra dag!
>
> Johan B
>
>
------------------------------
Date: Thu, 23 Jul 1998 15:19:13 +0200
From: "Lasse Viklund"
Subject: SV: SAS CD 2
Javisst!
Om det inte ryms på en CD så gör vi en dubbel. Vissa bidrag tycks dessutom
bli lite långa så det kanske är lika bra att planera för en dubbel.
Deadline får väl bli någon gång i augusti, men det går alltid att töja lite
på det. (men inte föööör mycket)
/Lasse
-----Ursprungligt meddelande-----
Från: Patrick Fridh
Till: Multiple recipients of
Datum: den 23 juli 1998 15:00
Ämne: Re: SAS CD 2
>får man vara med?
>mvhpatrickf...
>
>>>> Morgan Karlsson
>Vad var det för deadline på SAS skivan nr 2?
>
>
>mvh,
>
>Morgan Karlsson
>
>THE SYNTHESIZER NETWORK
>www.analogue.org/network
>
>
>
>
>
>
>
>
>
------------------------------
Date: Thu, 23 Jul 1998 06:47:56 PDT
From: "Erik Forsling"
Subject: Re: SAS, FKK, SPK osv osv
Shouldn't have done that.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Thu, 23 Jul 1998 15:48:49 +0200
From: Johan Billing
Subject: Re: SAS, FKK, SPK osv osv
Anders Wilhelm wrote:
> Sun and the Rainfall,
> A photograph of you,
> SHOUT!!!!
Titta in på http://www.diskodiktator.com/dm.html
mvh osv
Johan B
------------------------------
Date: Thu, 23 Jul 1998 17:58:33 +0200 (MET DST)
From: Martin Johansson
Subject: Re: TR-505
On Thu, 23 Jul 1998, Patrick Fridh wrote:
> h e l t a p r o p å
>
>
> Vince Clarke tyckte
> i en intervju en gång
> att det inte fanns ngn
> trummaskin som hade
> så ball baskagge som
> just den gamla 505:an.
>
> Det var tider det... :)
Har inte han aven sagt att MIDI ar horbart langsammare...
/ Martin
------------------------------
Date: Thu, 23 Jul 1998 12:14:32 EDT
From:
Subject: kultbox/modular records
Kultbox/Modular Recordings Presents: The Chicago All-Stars (patch_001)
Chicago, IL, USA, July 6--
After the death of Chicago's two most important and ground breaking labels
(Cajual & Relief); Modular Recordings was born with the classic Chicago
stars who not only utilize their influences from the past, but have evolved
over the years to present the "new" Chicago sounds of house music. The
first release includes works from six of Chicago's pioneering artists and
members of the Modular Recordings family; Robert Armani, Lester
Fitzpatrick, Feedback, DJ Skitzo and the Groove Sluts (Yoshi & Foosheen).
Upcoming releases will include full length EP's of those artists, as well
as many of Chicago's other legends.
Important Dates:
Release date for Promos: July 14, 1998
Release date for US: August 3, 1998
Release date for Europe: August 9, 1998
------------------------------------------------------------------------------
----------------------
KULTBOX RECORDS WORLDWIDE MAIL-ORDER:
* CASEY RICE "RESIGNED" - Limited to 1000 copies 12" vinyl. (Casey
Rice = Super ESP, Tortoise, etc.) Angular drum & bass from the
Chicago Underground. (Kultbox #003) OUT NOW!
* RUDE 66 - Limited pressing 12" WAX! (Rude 66 has many projects out
on Sliver, Bunker and Djax Records) Hard-as-fuck breakbeat...
tech-step... digital break-kore from the Dutch Underground. Place
your order NOW! (Kultbox #004) (Slated for August '98)
*DELTA NINE VS BOMB 20 - Splatter-breaks... distorted basslines...
drum & bass for the New School... Chicago meets Germany for this
truly groundbreaking project. Limited 12" WAX! (Kultbox #005)
---------------------------------------------------------------------
Kultbox/Modular Records is seeking distribution on the above projects:
please contact Kultbox.aol.com for details.
---------------------------------------------------------------------
NEW CITY CHICAGO - By Dave Chamberlain
MARCH 2, 1998: Punk rock is dead, but the point lives on. Sure there's still
the rebellious attitude and a smattering of bands playing right-on hardcore
and power-punk, but the "movement" has been lacking in influence long enough
now that we can begin looking at its impact.
Presenting Casey Rice. It's hard not to find Rice's name on something recorded
in the city these days. Going back as far as Liz Phair's first record (on
which he played, and which is just a signpost among a slew of lower-profile
efforts), Rice has been a floating musician and studio rat since he moved to
Chicago from Ohio in the late eighties.
Rice is Designer, the drum-n-bass DJ ("I guess they call me a DJ," he says,
"but that's not exactly it") who spins alongside DJs 3D and Snuggles, among
others. Rice is also the permanent sound man for Tortoise ("I fill in the
blank spots when the band stops playing," he says. "All this 'thanks for
coming' bullshit in between songs has got to go.") Rice is also set to release
"Super ESP," a collaboration with Damon Locke (formerly of Trenchmouth), and
he's working on a dark, schizophrenic jungle track for release under the name
Resigned on the local Kultbox label. You'll also find his name in the credits
of recent records by Joan of Arc and Heroic Doses. And he's just getting
started.
Having begun his music career in hardcore ("That was a long time ago, we don't
need to go into that"), the DIY force is strong in Rice. "If you can't do
something on your own terms," he contends, "then you've gotta find something
else to do." That statement embodies everything Rice represents. He does his
own thing on his own terms. He makes enough money to support himself through
music (though he still works at the Beat Parlor record store), recording and
experimenting with jazz, hip-hop, dub, jungle and, yes, even rock. And most
importantly, he's able to do it at home, thanks to a home studio full of
computerized electrogadgets, two turntables and records spilling from every
unoccupied crevice.
"I've recorded all types of music," he says. "Rock, jazz, dub, koali music. I
did this sound installation for a group show at the Navy Pier last summer. But
I'm not all about anything. Whatever I have the opportunity to do, I'll do if
it's interesting. I'd really like to record more jazz -- something I can do as
an engineer that I haven't done a lot of. I'd like to record classical music,
too, but those opportunities don't arise too often. But engineering isn't
really me. I can do that, but I also like to go on tour with Tortoise, do my
little art shit once a year, make my records."
With "Super ESP," set for March 31 release, Rice shows a shrewd comprehension
of the music world, both its art and its business. "We got it done early, but
we wanted to wait to put it out for various reasons, like to try and get it in
print before it comes out. That's the way you're supposed to coordinate a
release, theoretically."
But being aware of the business side doesn't mean Rice bogs himself down in
percentage points and sales figures. "What it means to be in a band right now
is really fucked up," he says. "It seems that there are really few ways to
find out about any music that's not the lowest common denominator if you don't
live in the city or if you're not in the music scene. You don't have to be 50
percent business, but you certainly need to address those concerns."
With the ability to work at home, Rice notes that, "I've been working non-
stop, going into [the studio] for nine hours a day, and only coming out to
eat." Which is his preference. "The DJing thing is pretty much just a hobby, a
fun thing to do. But I don't want to be part of that. I don't want it to be my
game and have to play Mad Bar and places like that."
Don't expect Rice to fade away any time soon. He's gearing up for a five-month
tour with Tortoise, which should further solidify his standing as a go-to guy
for local recording artists. And looking ahead, his Kultbox tracks, the
densest, murkiest and most erratic jungle you can imagine, have the type of
unique sound that creates underground scenes. But Rice isn't concerned with
that. He's only concerned with the next project, and doing it his way. And
that is punk rock.-
Gift of Gabber
------------------------------------------------------------------------
The latest, hardest incarnation of hardcore.
By Dave Chamberlain
MARCH 16, 1998:†
Hardcore music will never die, won't fade away either. It just changes. Every
new incarnation seems to take aggression and energy to another level. When I
was sixteen, "hardcore" meant hardcore punk rock, three-chords-and-go.
Agnostic Front, Uniform Choice, Minor Threat.
But time has left that scene behind. Sure it still exists, but it's a hollow
rallying call, a sponging of someone else's rebellion and scorn. But hardcore
remains, it's just different. Within electronic music, jungle and drum-n-bass
constitutes hardcore≠at least until now.
March 13, the two men who make up Kultbox records, Kent Henderson and Robbi
Rob, sponsor a global conference of DJs for the Gabberjunglewar at the Lab,
329 North Bell. DJs will alternate spinning gabber and jungle.
What's gabber? Take the 200 beats per minute of digital hardcore, break the
beats and bass up even more, kill the guitar samples, stress the word "fuck,"
turn it up as loud as you can take and then add the sound of your car hitting
a brick wall at 75mph. It originates from the Netherlands, specifically
Rotterdam, and takes its name from a slang Dutch-Yiddish word roughly meaning
friend, homie, bro.
For roughly the last four years, gabber has become the music of choice for
what is essentially Holland's rave scene. The Dutch shave their heads, load up
on narcotic cocktails (an article in Mixmag noted that the Hellraiser club in
Amsterdam has a machine which can test the purity of ecstasy) and go
absolutely nutty to tracks like "Fukem All" by DJ Dano. Some gabber DJs even
have kiddie raves, with youngsters between the ages of five and twelve letting
their little bodies go ballistic to gabber.
Gabber-jungle wars are common enough in the Netherlands, but despite Chicago's
place in the forefront of America's electronic music scene, shows like this
are far from the local rave culture's ideal. That's where Kultbox comes in.
Kultbox records are drum-n-bass mutations, with DJs coming from all over the
world thanks to the Internet. But jungle DJs, as well as DJs who are trying to
expand, are not being booked by Chicago-area raves. "We approached every
promoter in the city about doing an event like this," says Rob, "because we
didn't want to do it at a venue where kids couldn't come. But they weren't
really hip to this kind of thing. All the rave promoters thought we were nuts
to book something dark like this."
"It was a bitch finding a venue," says Henderson. "We went to the biggest
promoters in the city and said åHere's our artist, charge what you want, pay
our DJs and you can have everything.' But nobody would touch it. We heard a
lot of åWell, this isn't what the kids want.' They were saying that the kids
want safe, like safe house music."
With the help of Steven Collins, a part of the Lab, another label which
specializes in underground recordings, Kultbox found the right space.
Organizing the event was another headache, involving DJs coming in from
overseas (DJ Eye-D, Yoshi) and working around the looming Tortoise tour (U-
Sheen and Designer are Tortoise band member John Herndon and sound engineer
Casey Rice). The event will also be broadcast live on the Internet at
Thelab.base.org.
Rob and Henderson have more in mind than just staging a gabber-jungle war. "As
electronic music has gotten more popular," says Rob, "it's also gotten very
conservative. It's a shame that guys like Casey Rice and U-Sheen were never
asked to play raves. But the rave scene in Chicago has become safe. Delta-Nine
(above left) is one of the premier hardcore DJs in the world, and even though
he's out of Milwaukee, he plays Chicago rarely." Also, as an answer to the
increasing prices of raves (usually more than $20), Kultbox promises to keep
the price around $10. "So many raves seem to be all about money," says
Henderson. "This is not."
Kultbox the label is run with the same punk-rock ethic as the gabber-jungle
war, with both the owners doing it as a hobby. At present they are a strictly
vinyl label, catering mainly to DJs. With two records out-a four-song EP by
DJs Sandman, hidden and Eye-D and a two-song EP by Snuggles and 3D-Kultbox
isn't looking to become a record-making force, it's just looking to make
records with the same integrity as other local labels, such as Victory and
Thrill Jockey. "We use an old system," says Rob, "called the verbal contract."
------------------------------
Date: Thu, 23 Jul 1998 21:16:27 -0500
From: Erik Gronberg
Subject: Re: SV: SAS CD 2
SAS-LIST.www.mkv.mh.se:
> Deadline far val bli nagon gang i augusti, men det gar alltid att toja lite
> pa det. (men inte foooor mycket)
>
> /Lasse
Jag hoppas pa slutet av augusti; jag har inte monterat upp studion annu!
/Erik
------------------------------
Date: Thu, 23 Jul 1998 21:20:11 -0500
From: Erik Gronberg
Subject: Re: kultbox/modular records
SAS-LIST.www.mkv.mh.se:
> Kultbox/Modular Recordings Presents: The Chicago All-Stars (patch_001)
> Chicago, IL, USA, July 6--
>
> After the death of Chicago's two most important and ground breaking labels
> (Cajual & Relief);.....
>...
>...
>.......-making force, it's just looking to make
> records with the same integrity as other local labels, such as Victory and
> Thrill Jockey. "We use an old system," says Rob, "called the verbal contract."
Halla! Far alla pa listan det har junket??
Var kommer det ifran? (jo, jag kan se reply-adressen, men varfor?)
/Erik
------------------------------
Date: Thu, 23 Jul 1998 21:22:15 -0500
From: Erik Gronberg
Subject: BJ lever!
I Stockholm igår såg jag en burk tillvrkad av Tellus Tone!
Minns inte i vilken affär eller vad det var för burk dock.
Kul!
/Erik
------------------------------------------------------------------
Erik Grönberg e-mail: erik.gronberg.mbox300.swipnet.se =09
URL: http://home4.swipnet.se/~w-49485/
Analog Synthesizer enthusiast/builder/player
Electronic music composer
Electronics designer
Ju-jutsu instructor
------------------------------------------------------------------
------------------------------
Date: Thu, 23 Jul 1998 22:06:28 +0200
From: Andreas Nystrom
Subject: Ny i listan.
Hej!.
Vet inte om man ska presentera sig när man joinar listan,
men gör det ändå, för att vara lite trevlig. :)
=09
Mitt namn är Andreas Nyström, och jag är 22år och bor i Linghem.
Gillar det mesta inom 80tals synthen. Det nya har blivit för öh
distoritioniserat. Tycker det är fel att förstöra vackra vågformer
på ett sådant sätt :). I vissa fall blir det bra.
Jag kanske borde direkt påpeka att jag inte har ngn analogsynth,
dock har jag 2st hybrider.
1st Roland Juno-60, med analoga filter osv.
1st Emu-Systems Emax sampler, som har SSM filter (har öppnat o kollat ;D
Resten av mina synthar är troligen ganska ointressant, då det mest
analoga med dom är själva transformatorn ;).
Har funderat ofta på att bygga en analoga synth, men aldrig haft ork.
=09
Min favorit analog-synth just nu, är Korg VC10. EN sådan ska jag köpa
när jag blir stor ;). (med svan-mikrofonen)..
Första gången jag hörde The Robots basgången fick jag gåshud, det var
väl med det som jag började intressera mig för syntetiskt framställd
musik :).
Nu orkar jag inte skriva mer..
See you later, oscillator ! *fniss*
::::::::::
I'll try to create a world of my own
...in which to live
------------------------------
Date: Thu, 23 Jul 1998 22:08:20 +0200
From: Andreas Nystrom
Subject: Re: SV: SAS CD 2
At 03:19 PM 7/23/98 +0200, you wrote:
>Javisst!
>
>Om det inte ryms på en CD så gör vi en dubbel. Vissa bidrag tycks dessutom
>bli lite långa så det kanske är lika bra att planera för en dubbel.
>
>Deadline får väl bli någon gång i augusti, men det går alltid att töja lite
>på det. (men inte föööör mycket)
>
>/Lasse
Vad är reglerna för att få vara med?.
Måste det vara musik gjord med analogsynthar, eller får man
använda hybrider?.
/ _Andrew_
::::::::::
I'll try to create a world of my own
...in which to live
------------------------------
Date: Thu, 23 Jul 1998 22:10:16 +0200
From: Jonas Kapla
Subject: Kopplingsschema
Hej.
Ursäkta off-topicen, men jag har en fråga som jag nog får bäst svar på här:
Mina föräldrars video är paj, det är något med bandinsugningen som lagt av.
Radiohandlarn hävdar att det kostar 300:- att få fram ett kopplingsschema
till apparaten. Är detta rimligt? Det är en SABA från '92 eller nåt.
Mvh Jonas Kapla
------------------------------
Date: Thu, 23 Jul 1998 22:17:35 +0200
From: Andreas Nystrom
Subject: Re: TR-505
At 05:58 PM 7/23/98 +0200, you wrote:
>On Thu, 23 Jul 1998, Patrick Fridh wrote:
>
>> h e l t a p r o p å
>>
>>
>> Vince Clarke tyckte
>> i en intervju en gång
>> att det inte fanns ngn
>> trummaskin som hade
>> så ball baskagge som
>> just den gamla 505:an.
>>
>> Det var tider det... :)
>
>Har inte han aven sagt att MIDI ar horbart langsammare...
>
Jag har en intervju från Future Music, där han står
med en Roland PMA-5 i handen. Och han skriver att han
hade skrivit 3-4 nya låtar med dess autokomp (!!!).
I live-riggen såg man dessutom Roland JV1080 som han
gillade mycket, och Emu Morpheus m.m.
Han skrev att han egentligen inte hade något emot digitala
synthar, bara dess editerings sätt. Han betalade gärna
lite extra för att få en ratt till varje funktion.
Troligen använder han midi då. (om han inte CV + gate modifierat
dom ;D ;D
::::::::::
I'll try to create a world of my own
...in which to live
------------------------------
Date: Thu, 23 Jul 1998 16:18:14 EDT
From:
Subject: Re: kultbox/modular records
In a message dated 98-07-23 16:13:30 EDT, you write:
<<
Halla! Far alla pa listan det har junket??
Var kommer det ifran? (jo, jag kan se reply-adressen, men varfor?)
/Erik
>>
Hmmm...was i just getting ripped? i havent understood one fookin thing on this
list since i joined ;)
robbi
kultbox chicago
stoopid amerikan.
------------------------------
Date: Thu, 23 Jul 1998 16:19:02 EDT
From:
Subject: Re: kultbox/modular records
www.kultbox.com
------------------------------
Date: Thu, 23 Jul 1998 22:40:02 +0200
From: Jonas Henriksson
Subject: Re: Ny i listan.
Andreas Nystrom wrote:
> Vet inte om man ska presentera sig när man joinar listan,
> men gör det ändå, för att vara lite trevlig. :)
Välkommen.
> Jag kanske borde direkt påpeka att jag inte har ngn analogsynth,
> dock har jag 2st hybrider.
> 1st Roland Juno-60, med analoga filter osv.
Jag har också en så'n. Kul sak.
> Har funderat ofta på att bygga en analoga synth, men aldrig haft ork.
De stora pojkarna på listan kan säkert hjälpa till med detta; de slutar
aldrig prata om styrspänningar och filterpoler.
/h-son
--
------------------------------------+------------------------------
En .sig på svenska. Så osajber. | F0 41 36 01 23 01 01 11 64 F7
http://h-son.home.ml.org | F0 41 36 01 23 01 01 13 7F F7
------------------------------------+------------------------------
------------------------------
Date: Thu, 23 Jul 1998 23:13:03 +0200 (MET DST)
From: Johan Gustavsson
Subject: Re: kultbox/modular records
> Halla! Far alla pa listan det har junket??
> Var kommer det ifran? (jo, jag kan se reply-adressen, men varfor?)
Jodå...Det kommer från Robbies skivbolag Kultbox i det stora
skulle tro att han surfat reda på alla synthlistor han hittat för att
göra PR för sitt släpp...Hans musik? Ingen aning. han är rätt myckt
ett TeKKnoRaVEKidDIe. Jag är oskyldig, iaf.
/Moxie (Undrade just varför han fick det två gånger)
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Date: Thu, 23 Jul 1998 23:50:03 +0200 (MET DST)
From: Johan Gustavsson
Subject: Re: kultbox/modular records
> Hmmm...was i just getting ripped? i havent understood one fookin thing
> on this list since i joined ;)
Oi! Robbi! I don't know what you're doing here, but basically Erik's
wondering why the h*ll he's getting promo material for some faroff
american label...
Perhaps it would be considered good form to at least introduce oneself
to the list before rolling out the PR machine. People tend to react
more positively then...:-) And if you seriously intend to be on this
list (which I somehow doubt), some heavy language lessons might be in
order :-D
/Moxie (Finding people in the strangest places)
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Date: Thu, 23 Jul 1998 18:02:37 EDT
From:
Subject: Re: kultbox/modular records
In a message dated 98-07-23 17:51:05 EDT, moxie.idonex.se writes:
<<
/Moxie (Finding people in the strangest places)
>>
i was just trying to pick up some european chix why like analog....and some
one said this was the place to do it ;)
i think ill just go back to the English speaking lists where i belong ,,thanx
Moxie my man,,
robbi rob
kultbox chicago
(who cant figure out what the hell is going on ....on this SAS list...except
for the MS-20 thread ..now that i understood ;)
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Date: Thu, 23 Jul 1998 18:03:55 EDT
From:
Subject: Re: kultbox/modular records
In a message dated 98-07-23 17:53:57 EDT, you write:
<< TeKKnoRaVEKidDIe. >>
lol......now this i know what it means .....and im far from a TEKnoRaveR.....i
do mostly PROG-ROCK;)
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Date: Fri, 24 Jul 1998 01:10:47 +0200
From: Johan Lundstroem <106dump.swipnet.se>
Subject: VCO-symthar med MIDI
Tjena!
Finns det egentligen några relativt billiga synthar som har VCOer och
MIDI inbyggt från början. Bortsett från Sequential Circutits MAX och
Sixtrak, samt alla TB kloner.
/Johan
(som sitter med fyra st DCO-synthar och vet att livet kan bli ännu
bättre)
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E-mail: 106dump.swipnet.se
Homepage: http://listen.to/jlmusik/
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