Date: Mon, 27 Jan 2003 08:33:31 +0100
From: "ricard.wanderlof.swipnet.se"
Subject: Re: korg dw-8000
On Mon, 27 Jan 2003, jesper.bolina.hsb.se wrote:
>> En snubbe ville byta min Jx8p mot denna skapelse. Jag är inte sugen, men om
>> någon här är så kanske vi kan göra en trepartsdeal...
Men DW-8000 är ju _bra_ . Hellre en DW än en JX8 anyday.
/Ricard
--
Ricard Wanderlöf (ricard.wanderlof.swipnet.se) [http://home.swipnet.se/ricard]
Analog synth, railroad, magnetic recording and Citroen GS/GSA enthusiast
-- "Ich bin der Musikant mit Taschenrechner in der Hand" --
------------------------------
Message Number: 2
Date: Mon, 27 Jan 2003 08:50:12 +0100
From: "farbror_synt.hotmail.com"
Subject: =?ISO-8859-1?Q?simmånns_=28Re:?= SDS-800 schema och=?ISO-8859-1?Q?_baklängesingenjörering...=29?
huh
sökte i ah¥s arkiv efter sds schemo men utan resultat
dock hittade jag detta som kanska kan vara av intresse
eftersom det blabbas en hel del om simmons i detta forum
/olle3
------------------------------------------------------------------
These are the Simmons units that existed
SDS1 - experimental, never sold - 4"x5" metal box w/6knobs - made by Dave
Simmons
SDS2 - experimental, never sold(?) - switchable analog memory + run
generator
SDS3 - tabletop shape - 4 sounds - all analog - Simmons' first electronic
drums - lets you mix drum head sounds with electronic sound - knobs for
mic-Sensitivity, Pitch, Noise/Tone-mix, Effect Range, Impact Click, Decay
time, and Bend Level - fifth section of panel has LFO speed, Run Time,
Fast/Slow Run Time switch, LFO shape (square/sine), Run on/off, LFO on/off
- you can mix drum sounds by chaining inputs to outputs of the channels -
also sold was Premier drums (which mics inside and jacks to go to SDS3)
SDS5 - a 3? space rack-like shape w/individual voices as vertical sections
that you slide in to a main bus - mixer section on right end - made in
1981 - all-analog bass, snare, tom, cymbal modules sold seperately to fit
in SDS5 - modules have Noise, Tone, Bend, Decay, Noise/Tone-mix, Click
knobs + four buttons (presets?)
SDS6 - Simmons Drum Sequencer - 32 trigger events for 8 rows, ea row for a
different drum trigger - some later models may have MIDI in/out/thru - you
could move the end and start points of the pattern loop (for fewer than 32
event loops) -
SDS7 - hybrid digital/analog - 3? rack space unit with room for 12
vertical sound modules - parameters controlled from rack unit rather than
individual module front-plates - standard came with 5 modules
(?BD,SN,3TOMS?) - Mark 3 pads came out for the SDS7 - inputs and outputs
all XLR + 12 1/8" 'sequencer inputs' - 0-256 digi-button adjustments for
Analog section (Pitch, Bend, Mod, Level), Digital section (Pitch, Bend,
Mod, Level), Filter (Cutoff Freq, Bend, Res, Decay), and Click, Noise,
Mod, 'Program' - also a dual-sample SDS7 had two digital sample sources
instead of one Analog, one Digital
SDS EPB - Simmons EPROM Blower for SDS7 - sample speed, trigger sens,
input gain knobs - 2764 or 27128 PROM switch - proprietary computer
interface - record, play, save buttons - safe/blow switch
SDS8 - tabletop unit ('economical version of the SDS7') - five
dedicated sounds (bassdrum, Snare, 3 toms) each with Sens, Filter, Pitch,
Bend, Decay, Noise/Tone-mix, Click, Pan, Volume, & on button labelled
"Fac/Var" - 1/4" in/outs - left/right/mix volume knobs
SDS9 - tabletop unit with one column of knobs for Bass, Snare, Rim, Low
Tom, Med Tom, Hi Tom - parameters for Filter Pitch, Filter Sweep, Tone
Pitch, Pitch Bend Amount, Decay Length, Noise/Tone Balance, Click Level -
individual knobs for each channels' trigger Sens, Volume - Rim had
different parameters than other sound sources (Repeat Echo Decay, Repeat
Echo Speed, Noise Level) - 40 foot-pad switchable voices accessable -
receives midi sysex to change all SDS9 parameters
SDS200 - 2 tom voices on tabletop unit - same params as SDS7
SDS400 - 4 tom voices on tabletop unit - same params as SDS7 + run
generator for Tom 1
SDS800 - 1 bass, 1 snare, 2 toms on tabletop unit - same params as SDS7 +
run generator for tom 1
SDS1000 - 1 rack unit with bass, snare, hi tom, med tom, low tom -
individual triger sens and volume knobs for each - one set of param knobs
(same as SDS9 params)
MTM - Midi-Trigger-Midi convertor - appears to be meant to accompany the
SDE unit - one rack unit size
SDE EXPANDER - digital drum unit - one rack unit size - 20 voices
storable, many preset samples
MTX9 - one rack digital sample-based unit - 3 mixable voices per patch - a
combination of the MTM and SDE
SPM.8:2 - one rack unit mixer for MTM, TMI, SDE, MTX.9, SDS.9, SDS.1000, &
SDS.7 units - Midi programmable - 64 different mixer settings can be
recalled via Midi
STEPP guitar - prototype Simmons guitar based on ARP 2600+pickups
Silicon Mallet - design for Simmons full-size xylophone
_________________________________________________________________
Skaffa en aktieportfölj på MSN http://money.msn.se/investing/
------------------------------
Message Number: 3
Date: Mon, 27 Jan 2003 09:13:42 +0100
From: "daniel.araya.sr.se"
Subject: Ang: Serge med kompisar
Jag gillar "cmpdifrc"-kretsen!
/d
>>>> per.mattsson.mkv.mh.se 2003-01-26 09:31:28 >>>
God söndag morgon;
Jag hade ju lovat Ollä några Serge scheman men hittar inte dessa i
högarna...
MEN den gode Rome Fahl - som jag fick dessa scheman av - hade ju redan
scannat
dem.
Hans sidor är uppe tyvärr utan dessa filer så nu har jag lagt ut dem
här:
http://www.mkv.mh.se/personal/per/diy/serge_et_al/
But wait, there's more;
I samma mapp på min CD låg en läsbar Buchal 291 och lite annat junk som
jag
passade på att lägga ut.
Håll till godo!
/Per, Ladytrons nya har trots tjatiga Seventeen en hel del bra låtar,
Black
Plastic t.ex.
------------------------------
Message Number: 4
Date: Mon, 27 Jan 2003 09:29:24 +0100
From: "mr.analogue.org"
Subject: CEM3360, Curtis, SSM, syntreservdelar etc?
Chip! :)
Jag har just vunnit ett halvdussin BBD-kretsar på eBay (jippii)
och ska även köpa en CEM3360 åt Bröök-Ola av samma snubbe.
Eftersom snubben har fler saker till salu och frakten kan delas
undrar jag om nån av er vill köpa nåt och hamna i samma postpaket?
(Bl a har han ännu fler CEM3360, som jag kan köpa loss för $18/styck
när jag köpt den första. Nån som behöver?)
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=22669&item=2503484909
Det är samma snubbe som det tipsades om för ett par veckor sen här på SAS,
och han har följande syntreservdelar och kretsar till salu:
http://cgi6.ebay.com/ws/eBayISAPI.dll?ViewSellersOtherItems&userid=chipforbrains&include=0&since=-1&sort=3&rows=75
Det finns SSM2040, SSM2044, SSM2020, CEM3340, CEM3379, MN3207, uA726 mm...
Hör av er idag om ni vill vara med och handla nåt!
Bråttom!
/mr
> Oberheim OB-8 OB-XA replcmnt BATTY NEW! < $10.49
2
15 hours, 59 mins +
MOOG Minimoog sonic-6 VERY RARE powerTRANSTRS $14.99
$19.99
-
17 hours, 24 mins +
n/a. Roland SH-101 MC-202 PWR SWTCH CAP black $4.99
$6.49
-
Jan-28-03 17:39:16
minimoog moog RARE TRANSTRS-CHIPS ua726 + $79.99
$99.99
-
Jan-28-03 17:45:04
Sequential Circuits Prophet-5 BenderPOTS x 2 $9.99
$11.99
-
Jan-28-03 18:35:47
> MOOG MiniMoog NEW REPLCMNT POTS ! < $4.99
-
Jan-28-03 19:01:47
n/a. Roland Jupiter-8 DAC+Memory RARE spares $9.99
$11.49
-
Jan-28-03 19:07:09
Roland TR-808 full 16 step seqRPLCMNT SWTCHS $9.99
$11.99
-
Jan-28-03 20:34:06
Arp Moog Paia Modular Synthesizer PATCH CABLS $19.99
$23.99
-
Jan-28-03 20:37:11
na/.Roland SH-101 CEM3340vco+sliders + more! $29.99
$36.99
-
Jan-28-03 20:38:34
Roland TB-303 TR-606 NEW VOLMPOT! $8.99
$9.99
-
Jan-28-03 20:40:56
Sequential Circuits Pro-1 AnalogDigKeybrdCHIP $10.50
2
Jan-28-03 20:55:48
Roland TR-707 TR-727 SLIDEPOTS new ! 2 pcs. $4.99
$6.99
-
Jan-28-03 20:59:32
Sequential Circuits Prophet-600 BenderPOTSx2 $9.99
$11.99
-
Jan-28-03 21:03:27
Roland SBF-325 Flanger MN3101+MN3007 BBD+more $19.99
$24.99
-
Jan-29-03 10:11:59
Sequential Circuits TOM T8 Multi-Trak BATTRY $9.99
$11.99
-
Jan-29-03 19:10:35
Arp 2600 Modular Synthesizer NEW VOLUME POT! $5.99
$7.99
-
Jan-29-03 19:31:21
Sequential Circuits Prophet-10 RIBBONCABLEset $9.99
$14.99
-
Jan-29-03 19:41:54
Arp 2600 Modular Synthesizer NEW VOLUME POT! $1.99
$7.99
-
Jan-30-03 18:30:10
MOOG memorymoog BENDER/MOD POTSx2 new! $9.99
$12.39
-
Jan-30-03 19:13:08
>Roland TR-909 Tom Decay/Bass Attack NEW POTS $3.99
-
Jan-30-03 19:13:22
Ensoniq ESQ1 SQ-80 vca/vcf FILTERchip CEM3379 $8.49
$10.49
-
Jan-30-03 19:34:13
n/a. Roland MC-202 TR-808 Jupiter-8 MEMORYx 2 $8.99
$10.99
-
Jan-30-03 20:02:56
n/a. Roland MC-202 TR-808 Jupiter-8 MEMORYx 2 $8.99
$10.99
-
Jan-30-03 20:05:22
Ibanez BOSS MN3102 MN3207 Delay Reverb CHIPS $8.99
$10.49
-
Jan-30-03 20:12:49
MOOG synthesizer BENDER/MOD POTS x2 NEW $9.99
$11.49
-
Jan-30-03 20:20:48
Oberheim OB-8 OB-XA CEM3360 VCA IC NEW! $19.99
$24.99
-
Jan-30-03 20:26:40
Juno-106 LFO PCB NEW POTS+SLIDERS+SWTCH $14.99
$18.99
-
Jan-31-03 20:47:55
moog minimoog HUGE SURV KIT uA726 pots keys+ $159.99
$169.99
-
Jan-31-03 20:58:03
Korg DX series dx-7 dx-9 NEW SWTCH+BATTRY kit $8.99
$10.49
-
Feb-01-03 18:53:52
+$20. Roland Juno-106 replcment SWTCHES+BTTY $7.99
$9.99
-
Feb-01-03 19:12:39
n/a by roland jupiter-6 ROTARY/SLIDE POTS new $7.99
$9.99
-
Feb-01-03 19:34:13
Sequential Circuits Prophet-5 10 SURVIVAL KIT $99.99
$129.99
-
Feb-02-03 19:41:07
Sequential Circuits Pro-1 T8 BenderPOTSx2 NEW $9.99
$11.99
-
Feb-02-03 19:48:22
> Sequential Circuits Six-Trak SURVIVAL KIT < $19.99
$29.99
-
Feb-02-03 19:50:37
n/a. Roland TR-909 Start/Stop Seqncr SWTCHnew $13.99
$15.49
-
Feb-02-03 20:01:36
MOOG memorymoog BENDER/MOD POTSx2 new! $9.99
$11.99
-
Feb-02-03 20:05:37
MOOG Minimoog sonic-6 VERY RARE powerTRANSTRS $9.99
$18.99
-
Feb-02-03 20:07:48
Roland SBF-325 Flanger MN3101+MN3007 BBD+more $19.99
$24.99
-
Feb-03-03 10:08:23
n/a. Roland TR-808 SWTCH Start/Stop TAP new! $9.99
$11.29
-
Feb-04-03 19:06:53
Arp Moog Paia Modular Synthesizer PATCH CABLS $19.99
$23.99
-
Feb-04-03 19:15:50
Roland TR-808 full 16 step seqRPLCMNT SWTCHS $7.99
$10.49
-
Feb-04-03 19:15:56
Roland TR-808 Jupiter-8 SH-101 TOGGLE SWTCH $4.99
$6.79
-
Feb-04-03 19:21:03
Sequential Circuits Prophet-5 rev1-2 SSM2020 $9.99
$15.99
-
Feb-04-03 19:23:01
Sequential Circuits Prophet-5 SSM2040vcf RARE $24.99
$36.99
-
Feb-04-03 19:25:32
Sequential Circuits T8 Prophet-5 10 DAC-71new $49.99
$79.99
-
Feb-04-03 19:25:39
Emu emulator sp-1200 Filter SSM2044 RARE $9.99
$14.99
-
Feb-04-03 19:27:35
------------------------------
Message Number: 5
Date: Mon, 27 Jan 2003 09:37:21 +0100
From: "daniel.araya.sr.se"
Subject: Ang: Re: Serge med kompisar
>>>> farbror_synt.hotmail.com 2003-01-27 07:46:58 >>>
>>> >>/olle - nu med fungerande serge wavemultiplier - gött !
>>>
>>>Nu måste du komma med en genomgång.
>>>Hur låter den egentligen?
>>jag du det vet jag inte riktigt än
>>det är en hel del fixande med flera andra moduler
>>innan allt funkar som det ska
>>panelerna var i rätt risigt skick
>>en del rattar fattas och plasten runt flera av
>>bananjacken saknas/är spräckta
>>så jag funderar på att byta alla jack plus
>>om jag kan hitta liknande rattar eller så får jag
>>byta alla
>>lödningen av vissa kort ser ut som skit också
>>så undrar om inte nån har byggt ihop denna själv
>>en gång i tiden....
Det verkar finnas hopp för maskinen i alla fall...annars kan ju jag ta
den...
Jag är otroligt avundsjuk... :)
Serge fanns som byggsats fram till nångång in på 90-talet tror jag så
det är möjligt att nån klåpare varit inne och grottat runt.
/d - vill ha Serge, jättemycket!
------------------------------
Message Number: 6
Date: Mon, 27 Jan 2003 09:56:23 +0100
From: "farbror_synt.hotmail.com"
Subject: sds v mods
lassie och jeppä, hittade dessa sds v mods
när jag sökte i ah¥s arkiv,
kan kanske vara nåt....
/ollie
--------------------------------------------
The issue:
SDS V drum sounds have a 'click' aspect to their sound at the attack which
is apparently meant to simmulate the sound of the stick or beater hitting
the drum head. I don't like the sound too much, especially when doing spare
mixes with 808 type bass drums. The front panel of each SDS V module would
have you believe that you can 'balance' the click sound to the 'drum' sound
(i.e. the tone & noise elements) but all you really control is the volume of
the drum sound (the click is always there.)
The solution:
The click is produced thusly: the trigger fires an EG (static decay) that
controls a VCA with the noise source as it's input. The output of this VCA
goes to the main VCA which is controlled by an EG whose decay is selected on
the front panel. My first attempt at this mod was to cut the output from
the click VCA, but it cut out *all* the sound. Thinking the Schematics
might be less than accurate, I tried cutting the outputs from each of the
envelope driven VCAs on the module, but never got what I wanted.
So I cut the envelope input to the VCA (unsolder the leg of TR 5 that traces
to pin 5 of IC 11.) Bingo, the noise driven part of the click is gone as
you can verify by setting a tone only ype of drum sound & triggering the
module & tweaking the noise knob (which controls the filtering of the noise)
and noting no change in high frequencies.
On the snare module, there is additionally a capacitor that jumps accross
the back of the board. It seems to link part og the click envelpe circuit
to the Tone pitch (presumably to augment the click on the snare.) Clipping
it get's rid of the rest of the clicking on the snare.
The pesky clicking is now gone, except for the clickiness inherent in
opening up a VCA on a low frequency wave.
improvements:
My understanding of electronics is limited, so I don't know if this is a
'safe' mod as the transistor is now only partially attatched to the board.
There may be better ways to do this. I'm planning on putting in a few
'on/off' switches for the click. For the snare I'll need to break two
separate circuits, what is this type of switch called?
A pot between the transister and the CV input of the click VCA might be
nice, giving you control over a TAMA style 'attack.' Also, there are
several useful pots on the SDS V modules, particularly:
R27 filter resonance (its an SSM 2044, no wonder it's so yummy.)
R25 filter sweep amount (these should both be up front, not much space
though)
and on the snare:
R26 Oscilator modulation depth
yep. you can do FM on simmons snares! The depth is limited, but lowering
the value of R63 might help. Maybe replacing R26 and R63 with a front panel
pot would give a decent range? Also nice would be to control the pitch of
the MOD Osc (I can imagine some pretty cool high hats.) Just turning the
mod depth all the way up and tuning the tone pretty close to the modulator
and then adding a tiny bit of sweep produced remarkably fat bass drums:
THUuUuUump!
Th final improvement might be to reset the tone Osc with the trigger to
avoid VCA clicks. I don't know if it would work, but if the Tone Osc uses a
schmitt trigger to discharge a charging capacitor like the PAiA one, it
might be possible.
_________________________________________________________________
Bli förälskad på MSN Dejting http://www.msn.se/dejting/default.asp
------------------------------
Message Number: 7
Date: Mon, 27 Jan 2003 09:59:30 +0100
From: "farbror_synt.hotmail.com"
Subject: tama ts305/306 mods
detta kan kanske också vara till nytta
/oole
----------------------------------------------------
here are some of the tama mods. i can get more specific if you want. the
schematics are at
1.pitch range - Ra and Rb control the pitch range of the oscillators.
replacing them with jumpers gives a very broad tuning range. i experimented
with different values to restrict certain channels to usable values for that
sound (kick and snare tone)
2.noise tone - the filter pitch can be varied by changing the value of R(i
can't remember and the schematic is too hard to read, i think maybe Rq or
Rp? definitely a letter. it is in the path that splits off between R14 and
IC6). i think jumpering it allows it to go sub-audio.
3.synth modulation speed (ts306) - there is a trim pot on the circuit board
that controls the speed of the oscillator modulation. if you are willing to
give up the trigger sensitivity setting and just use the pad input, this pot
(which is 5k, like the trim pot) can be desoldered from the board and wired
to the pads where the trim pot sits (i removed the trim pot, i'm not sure
what would happen if it were left in parallel). this offers panel control
over modulation speed.
4.pot switching - i switched many of the pots with eachother to get
different ranges for different functions. for example, the synth sound
(ts306) had a longer decay than the other channels. i wanted a longer bass
drum decay so i switched the decay pots (500k for 300k i think). by
switching pots i was also able to get a short decay for the snare tone (i
use one channel for tone and another for noise to allow different decay
times), a short decay for the kick *pitch* decay (see kick mod), and a
really long reverb time on the clap (ts306). i tried in vain to increase the
tuning range of the clap. the smaller decay and tuning ranges have been
especially useful to me because it's much easier to fine tune settings on
the fly, rather than trying to move the knob a tiny fraction of its
diameter.
5.kick drum mod - this is the mother of techstar mods in my opinion (at
least the simple ones i've done, i'm a beginner). it allows separate decay
times for pitch and amplitude. this means bassy kicks with hard attacks are
possible, no more choosing between the two. if you only do one tama mod, DO
THIS ONE! you can get hard tight kicks, hard bassy kicks, smooth bassy
kicks, smooth tight kicks, smooth hard kicks, barking 909ish kicks, ringing
808ish kicks, and everything in between. this mod involves connecting the
envelopes of two channels to a dpdt switch, so that in the on position, one
channel's decay knob controls the pitch decay, and the other channel's decay
knob controls the amplitude decay. this means both channels have to be
triggered at the same time in order to fire both envelopes. you can still
tune both channels separately, and set individual bend amounts. here are the
instructions i received from Daryl (where are you Daryl?) on the Analogue
Heaven mailing list:
>>You will need a double
>>pole double throw switch, I reccommend a small toggle
>>switch. Basically you are going to connect the
>>amplifier input of one tom to the center position of
>>one side of the switch and the pitch input of the
>>other tom to the center tap of the other switch. The
>>amplifer input is easy, just lift R12 (200k) on the
>>side NOT connected to TR4 and connect the center tap
>>to the now disconnected resistor leg, the pitch input
>>is a bit more difficult, you need to lift R15 (100K)
>>on the side not connected to IC3 and disconnect the +
>>leg of VR5 (pin 1). I can't remember if this is a
>>jumper, if it is, locate the jumper and lift it, if
>>not, it might require a trace cut. I'm afraid I can't
>>be specific here because I don't have it in front of
>>me. Connect these two together and you have the pitch
>>bend input. Connect this pitch bend input to the
>>other center switch contact. Now choose a position of
>>the switch to be normal, let's say up. That means the
>>bottom contacts (on most dpdt toggle switches) are
>>connected to the center taps. So connect both bottom
>>contacts to the envelope output of the same tom board
>>the center pole is connected to. So in other words, on
>>the side where the amplifer input is connected to the
>>center switch, connect the bottom contact of the
>>switch to the envelope on the SAME tom. Do the same on
>>the pitch side. This is easy, just use the empty hole
>>that you pulled the leg of R12 out of. Now with the
>>switch up, both toms are normal, that is, their
>>envelope outputs are connected as they were before the
>>mod. Take the top contacts and wire them criss-cross
>>to the bottom contacts on both sides of the switch.
>>That is, the top contact on the right side is
>>connected to the bottom contact on the left side and
>>the top contact on the left side is connected to the
>>bottom contact on the right side. Now, with the switch
>>down, the first tom's amplifer input is connected to
>>the second tom's envelope and the second toms pitch
>>input is connected to the first tom's envelope, hence,
>>the first tom controls pitch envelope for both toms,
>>and the second tom controls amplifier envelope for
>>both toms.
Daryl has also done more complicated mods that i don't have the knowledge to
try, including: reconfiguring the emphasis circuit into a triangle to sine
wave converter for smoother sounds and using the preset side of the circuit
to actually make it possible to use two triggers to trigger two different
sets of settings for one channel (open/closed hi hat). hopefully he'll post
detailed instructions sooner or later because these sound awesome. i've also
heard that its easy to add input jacks for frequency modulation, but i don't
know how.
i highly recommend all of these mods, especially the separate pitch/amp
decay one. they are all fairly easy with basic soldering skills, and they
really hone the capabilities of the machine to your uses.
_________________________________________________________________
Hitta billigaste resan på MSN Resor http://www.msn.se/resor/default.asp
------------------------------
Message Number: 8
Date: Mon, 27 Jan 2003 10:18:07 +0100
From: "polarn-p.acc.umu.se"
Subject: Re: Synt live - not (was Re: Page live - not)
Hepp!
At 21:38 2003-01-26 +0100, you wrote:
>>Tänkte bara tillägga att man ju faktiskt kan "spela" live på sequencers
>>också... Samt mixa och ratta, etc...
>>Det blir då realtidskomposition, och i en sådan situation kan det uppstå en
>>enorm kommunikation mellan publik och musiker/kompositör.
>>som t.ex när jag spelade live första gången, och en i publiken kom upp på
>>scen och rättade till EQ'n på bastrumman..... ;)) (Jag hade dåligt ljud på
>>scen och visste inte att publiken fick ont i magen av den tunga basen)
Scharinska villans källare?
Enda gången jag sett/hört herrn live, det var mkt länge sedan och jag minns
att det basade rätt bra därnere.
Stenväggar stengolv och välvt stentak... :-)
Live med automatik - det vill till att man
a: har ordentligt med kontroller (rattar alltså...)
b: har bra koll på sina maskiner och vad de gör.
Man behöver ju inte vara "välrepad", det handlar ju om realtidskomposition,
men järnkoll på sin apparatur och vad som händer när man gör en viss sak.
Efter att ha "live"-kranat en lång kedja seriekopplade funktionsgeneratorer
(Generator!) så vet jag vilka dramatiska förändringar ett litet knapptryck
kan innebära...
>>Nuförtiden brukar folk ligga och sova på golvet när jag spelar... =)
Åfan jag har suttit och rättat tentor och skrivit föreläsningar till två av
herrns plattor... :-)
Jag var på festival i Skellefteå för några år sen och då uppträdde en
konstellation musiker mestadels härrörande ur Heed, förstärkta med en
danserska och en kopiöst psykedelisk liveshow. Då låg hela publiken på
golvet i en stor hög och bara flummade bort. Asskönt och kontrastrikt med
tanke på föregående akt - ångvältssyntarna Nuclear 45! :-) Det var
_jobbigt_ att behöva vakna, resa sig upp och fara hem.
Jag tänker mig en liknande happening fast utomhus på någon äng eller
liknande, mitt på dan och utan mygg. Härligt...
Lite som Node, fast ute i busken istf en järnvägsstation!
För övrigt är min Midi-CV-burk klar för testning och trimning. Jag tänker
inte köra med rattsequenser live, jag tänkte experimentera med en MC500mkII
som får driva minimoog, micromoog, en sampler och pulsa min MFB-512.
Liveelement: krana moogarna i realtid och använda så många fingrar som
möjligt på Solinan! Låter väl kul? :-)
mvh
P - sequenser/playbacksyntare med liveambitioner
_P_a_t_r_i_k___E_r_i_k_s_s_o_n__________________________________
http://www.encounter.nu/patrik
patrik.encounter.nu
+46703115109
________________________________________________________________
"The dark religions are departed and sweet science reigns"
------------------------------
Message Number: 9
Date: Mon, 27 Jan 2003 10:19:42 +0100
From: "polarn-p.acc.umu.se"
Subject: Re: Minimoog til Wakeman
Hupp
At 22:16 2003-01-26 +0100, you wrote:
>> >> >>Ok, nästa gissning: I England är jordad el mycket vanligare än här, alla
>> >> >>uttag är i princip jordade, även om man inte behöver jorda all
>>utrustning
>> >> >>i praktiken.
>> >>
>> >> Rule Britannia!!!
>>
>>Told you so! När köper herrn en Wasp nu då?
Aldrig för de är så jävla fula! ;-)
Den enda brittiska synt jag vill ha är en såndär med pinmatris och
portfölj! Japp!
P
_P_a_t_r_i_k___E_r_i_k_s_s_o_n__________________________________
http://www.encounter.nu/patrik
patrik.encounter.nu
+46703115109
________________________________________________________________
"The dark religions are departed and sweet science reigns"
------------------------------
Message Number: 10
Date: Mon, 27 Jan 2003 10:52:29 +0100
From: "farbror_synt.hotmail.com"
Subject: Re: Ang: Re: Serge med kompisar
>>Serge fanns som byggsats fram till nångång in på 90-talet tror jag så
>>det är möjligt att nån klåpare varit inne och grottat runt.
hmmm ja nog verkar detta vara en byggsats
frontpanelen består av papper med tryckt text/symboler på
som limmats/lackats fast på frontplåten,
skaplig budgetlösning mao....
/oole
>>
>>
>>/d - vill ha Serge, jättemycket!
>>
>>
_________________________________________________________________
Köp & Sälj: Gör ett fynd på MSN http://www.msn.se/koposalj
------------------------------
Message Number: 11
Date: Mon, 27 Jan 2003 12:22:09 +0100
From: "anders.moulin-noir.com"
Subject: Re: synthpris
>>
>>
>>En kollega förfärades igår över att en vän till henne köpt en synth för
>>44000. Den var i körsbärsträ trodde hon och numrerad (12/600).
>>När jag berättade att jag spelat på nämnda Voyager samt att den är
>>monofonisk fick hon dåndimpen. "Vad ska man med en monofonisk synth till?
>>Inga ackord alltså?" Då berättade jag att jag hade 20 sån'a synthar
>>(monofoner alltså) och hon beslutade sig slutligen för att jag var precis så
>>konstig som hon trott och slog fast - "44000 är för mycket för en synth!"
>>
Du skulle ha berättat att gott om folk shoppade fairlight series III för
nåt i stil med 550.000:- då det begav sig... Men den hade väl fler
röster *skrattar*
/AW
--
http://www.moulin-noir.com
------------------------------
Message Number: 12
Date: Mon, 27 Jan 2003 12:38:35 +0100
From: "daniel.araya.sr.se"
Subject: Moog Voyager
Är det någon här i sthlm som ägen en Moog Voyager som man kan komma och
fingra lite på?
/d
------------------------------
Message Number: 13
Date: Mon, 27 Jan 2003 12:47:47 +0100
From: "farbror_synt.hotmail.com"
Subject: Re: synthpris
>>Du skulle ha berättat att gott om folk shoppade fairlight series III >för
>>nåt i stil med 550.000:- då det begav sig... Men den hade väl fler
>>röster *skrattar*
nu var det ju inte vilken "svensson" som helst som
köpte dylika maskiner...
/oole
_________________________________________________________________
Nu kan du få Hotmail till mobilen http://www.msn.se/msnmobile/
------------------------------
Message Number: 14
Date: Mon, 27 Jan 2003 12:54:45 +0100
From: "jesper.bolina.hsb.se"
Subject: Re: korg dw-8000
jesper:
>> >> En snubbe ville byta min Jx8p mot denna skapelse. Jag är inte sugen,
men om
>> >> någon här är så kanske vi kan göra en trepartsdeal...
ricard:
>> Men DW-8000 är ju _bra_ . Hellre en DW än en JX8 anyday.
Har inte testat, men en polyfon är fax i mitt hem! =)
Jag har ju två duofoner också - glöm inte det, man kan överdosera har jag
hört... ;)
electronically yours, jesper
Visit Electronic Obsession on the net:
http://obsession.svart.nu
------------------------------
Message Number: 15
Date: Mon, 27 Jan 2003 12:56:01 +0100
From: "jesper.bolina.hsb.se"
Subject: Re:=?ISO-8859-1?Q?_simmånns_=28Re:?= SDS-800 schema och=?ISO-8859-1?Q?_baklängesingenjörering...=29?
Allt detta finns på nätet - synrise tror jag...
electronically yours, jesper
p.s. SDS-1 finns - det är de enstaka trummzen med rattar på... d.s.
----- Original Message -----
From:
To: "Multiple recipients of SAS"
Sent: Monday, January 27, 2003 8:50 AM
Subject: simmånns (Re: SDS-800 schema och baklängesingenjörering...)
>> huh
>>
>> sökte i ah¥s arkiv efter sds schemo men utan resultat
>>
>> dock hittade jag detta som kanska kan vara av intresse
>> eftersom det blabbas en hel del om simmons i detta forum
>>
>> /olle3
>>
>> ------------------------------------------------------------------
>>
>> These are the Simmons units that existed
>>
>> SDS1 - experimental, never sold - 4"x5" metal box w/6knobs - made by Dave
>> Simmons
>>
>> SDS2 - experimental, never sold(?) - switchable analog memory + run
>> generator
>>
>> SDS3 - tabletop shape - 4 sounds - all analog - Simmons' first electronic
>> drums - lets you mix drum head sounds with electronic sound - knobs for
>> mic-Sensitivity, Pitch, Noise/Tone-mix, Effect Range, Impact Click, Decay
>> time, and Bend Level - fifth section of panel has LFO speed, Run Time,
>> Fast/Slow Run Time switch, LFO shape (square/sine), Run on/off, LFO on/off
>> - you can mix drum sounds by chaining inputs to outputs of the channels -
>> also sold was Premier drums (which mics inside and jacks to go to SDS3)
>>
>> SDS5 - a 3? space rack-like shape w/individual voices as vertical sections
>> that you slide in to a main bus - mixer section on right end - made in
>> 1981 - all-analog bass, snare, tom, cymbal modules sold seperately to fit
>> in SDS5 - modules have Noise, Tone, Bend, Decay, Noise/Tone-mix, Click
>> knobs + four buttons (presets?)
>>
>> SDS6 - Simmons Drum Sequencer - 32 trigger events for 8 rows, ea row for a
>> different drum trigger - some later models may have MIDI in/out/thru - you
>> could move the end and start points of the pattern loop (for fewer than 32
>> event loops) -
>>
>> SDS7 - hybrid digital/analog - 3? rack space unit with room for 12
>> vertical sound modules - parameters controlled from rack unit rather than
>> individual module front-plates - standard came with 5 modules
>> (?BD,SN,3TOMS?) - Mark 3 pads came out for the SDS7 - inputs and outputs
>> all XLR + 12 1/8" 'sequencer inputs' - 0-256 digi-button adjustments for
>> Analog section (Pitch, Bend, Mod, Level), Digital section (Pitch, Bend,
>> Mod, Level), Filter (Cutoff Freq, Bend, Res, Decay), and Click, Noise,
>> Mod, 'Program' - also a dual-sample SDS7 had two digital sample sources
>> instead of one Analog, one Digital
>>
>> SDS EPB - Simmons EPROM Blower for SDS7 - sample speed, trigger sens,
>> input gain knobs - 2764 or 27128 PROM switch - proprietary computer
>> interface - record, play, save buttons - safe/blow switch
>>
>> SDS8 - tabletop unit ('economical version of the SDS7') - five
>> dedicated sounds (bassdrum, Snare, 3 toms) each with Sens, Filter, Pitch,
>> Bend, Decay, Noise/Tone-mix, Click, Pan, Volume, & on button labelled
>> "Fac/Var" - 1/4" in/outs - left/right/mix volume knobs
>>
>> SDS9 - tabletop unit with one column of knobs for Bass, Snare, Rim, Low
>> Tom, Med Tom, Hi Tom - parameters for Filter Pitch, Filter Sweep, Tone
>> Pitch, Pitch Bend Amount, Decay Length, Noise/Tone Balance, Click Level -
>> individual knobs for each channels' trigger Sens, Volume - Rim had
>> different parameters than other sound sources (Repeat Echo Decay, Repeat
>> Echo Speed, Noise Level) - 40 foot-pad switchable voices accessable -
>> receives midi sysex to change all SDS9 parameters
>>
>> SDS200 - 2 tom voices on tabletop unit - same params as SDS7
>>
>> SDS400 - 4 tom voices on tabletop unit - same params as SDS7 + run
>> generator for Tom 1
>>
>> SDS800 - 1 bass, 1 snare, 2 toms on tabletop unit - same params as SDS7 +
>> run generator for tom 1
>>
>> SDS1000 - 1 rack unit with bass, snare, hi tom, med tom, low tom -
>> individual triger sens and volume knobs for each - one set of param knobs
>> (same as SDS9 params)
>>
>> MTM - Midi-Trigger-Midi convertor - appears to be meant to accompany the
>> SDE unit - one rack unit size
>>
>> SDE EXPANDER - digital drum unit - one rack unit size - 20 voices
>> storable, many preset samples
>>
>> MTX9 - one rack digital sample-based unit - 3 mixable voices per patch - a
>> combination of the MTM and SDE
>>
>> SPM.8:2 - one rack unit mixer for MTM, TMI, SDE, MTX.9, SDS.9, SDS.1000, &
>> SDS.7 units - Midi programmable - 64 different mixer settings can be
>> recalled via Midi
>>
>> STEPP guitar - prototype Simmons guitar based on ARP 2600+pickups
>>
>> Silicon Mallet - design for Simmons full-size xylophone
>>
>>
>>
>>
>> _________________________________________________________________
>> Skaffa en aktieportfölj på MSN http://money.msn.se/investing/
>>
>>
>>
>>
>>
------------------------------